Oktava MD-80M NOS Exclusive Offer July 13, 2012 09:23 22 Comments
A couple weeks ago, I received an intriguing email from my friend Artur Fisher (whos RM-5 ribbon mics many of you have now built). It went something like this: "Hey I've got an amazing deal on a small lot of vintage Oktava mics. Do you think the DIY crowd would be interested?" Needless to say, part of me wanted to shoot back "Yes" on the spot--"vintage," "Russian," "NOS," and "secret stock" are major trigger words for a recovering gear junkie--but I asked Artur to send me a pair to try out before I decided whether they were worth offering to you guys. I received my pair of Oktava HD-80M dynamic mics last week, just in time to try them out on a drum set and electric guitar session the next day. The guitarist and I were both impressed when I unpacked them. The aura of belonging to another place and time that these things put out is intense. The technical docs that come with each mic are completely in Russian, and though the pages are mint, they feel as though they might crumble in your hands. I felt a little India Jones-esque thrill as I pulled them gingerly out of their cases. It is a bit of a pain eluding the Russian cabalists who are now hot on my trail to recover these priceless artifacts that are at the heart of a worldwide, centuries-old conspiracy, but noone gets into audio engineering without expecting a little danger!
Anyhow, after sufficiently appreciating the their visual appeal, we put the 80Ms to work on snare and guitar amp. The first thing to notice about the sound of the 80Ms is that there is practically no low end. As you can see in the datasheet to the right, there is a steep low-end roll-off from 500Hz down. So right away we are in very unique territory--this is no Swiss army knife mic. Since there are very few instrumentes that don't have important stuff going on below 500Hz (and I never use a hi-hat mic), I tried pairing the 80M with a more full-bodied mic on the same source, similar to how Steven Albini use his old Altec mic on snare. For snare drum, I taped the 80M to a transformerless SM57, which lives on my snare by virtue of how well it captures the low-end body of the drum. The 80M does the opposite, and it does so really well. My usual practice with the SM57 on snare is to create a mult of the snare track, hi-pass and compress it with a slow attack time to emphasize the transient, and mix it back in with the original. The 80M essentially does this for me, with a little upper-mids excitement thrown in. As you can see in the waveforms below, there is a much greater contrast between the transient and the sustain with the Oktava than the SM57. Mixing this in with the signal from the SM57 brought out the attack in a way I'm not used to from a close snare mic. I'm glad I used strong tape when I attached the 80M to the SM57 because it's going to be there for a while.
For electric guitar, I simply moved our Shure/Oktava combo to the Sears Silvertone amp. As opposed to the snare, where I forsee using it on every session, the 80M is a more unique, oddball choice for guitar. Beyond just being brighter than the SM57, the 80M gave the guitar a heavy dose of "jangle"; mixing between the 57 and 80M signals was almost like mixing the neck and bridge pickups of the guitar. I know exactly what Tchad Blake meant when he said (I'm paraphrasing) "Sometimes you just can't mess up the guitar sound enough." Next time I feel that way, it's good to know I've got something special stowed away. I've only had the chance to use the 80Ms on one session, but I could imagine a few more uses for them:- A "telephone," band-passed vocal effect
- Hi-hat mic
- Beater-side bass drum mic
- Trashy, mid-range room mic (compressed to hell and back)
- Harmonica mic
Comments
justin on November 12, 2014 18:02
HI Peterson,
I’m having troubles playing the audio samples. unfortunately i have this problem on your site in general. i’m using ie9 at my end.
Marc Duchesne on November 12, 2014 18:02
Just ordered one of these, can you confirm reception of payment…
-marc
Peterson Goodwyn on November 12, 2014 18:02
Hey Justin sorry to hear that. I’m not sure what the problem is, but I’ve added a link above to download a .zip file of the samples.
Artur Fisher on November 12, 2014 18:02
Hi, Marc! Thank You for order. Your payment is well received, the microphone will be shipped in few days, I will let You know once the package is dispatched.
Best! Artur.
KiwiSteve on November 12, 2014 18:02
Just ordered a pair.. Look interesting and sound so too.. Quite unusual yet great..
I love wacky or unusual mics.. Always add something unique to a mix.
Chuck Renshaw on November 12, 2014 18:02
I’d like to grab a set. Cash won’t be in paypal account for a couple days. If ya still got em then I’ll be ordering.
phil liu on November 12, 2014 18:02
hi there, is there still have some MD-80M left? if there still got some, i want a set. please email me. thanks. and also i’m in china, so can i use some kind of door to door air mail with tracking number, like ups or fedex. i don’t mind there’s little bit more expensive.
best regards
phil
Peterson Goodwyn on November 12, 2014 18:02
Hi Phil, yes there are some available.
I will forward your email address to Artur, who is taking care of shipping.
Michael on November 12, 2014 18:02
Excuse me if I’m being ignorant, but what is the XLR plug for? Does the mic have a non-standard size XLR plug? Is it an XLR to 1/4" adapter? If there are some left this weekend, I will likely purchase one, for the telephone vocal effect (I’m hoping these are loosely similar in sound to the copperphone microhpones) and for the coolness factor.
Peterson Goodwyn on November 12, 2014 18:02
Michael, honestly I have no idea what it’s for. The XLR output from the mic is standard and I have no use for the plug that comes with it. My best guess is that the mic was sold in a time and place where XLR cables were not common, so they included a plug for people to make their own XLR→TRS cable.
I believe there will be some left this weekend. I can’t speak to the sound of the Copperphone, but the coolness factor is worth the price of admission alone IMHO.
Michael on November 12, 2014 18:02
All right, though this will be my second mic and though it doesn’t seem very versatile, I went ahead and bit the bullet and purchased one. I’m interested to see how this is as a vocal mic. I’m assuming it is an omni pickup pattern, correct me if I’m wrong.
Thanks for doing this sale, by the way.
MM on November 12, 2014 18:02
Yay! Received Mine in perfect condition :D
Going to test them out this week somewhere :D
Christian on November 12, 2014 18:02
Hey Peterson, I purchased one mic about 2 weeks ago but have not received it. I just want to make sure you received the payment
Thanks
Artur Fisher on November 12, 2014 18:02
Hi, Michael! Peterson is right, XLR plugs were not common on Russian market that time, thus the plug is included. And nope, it is not omni, it is typical cardioid. Cheers! Artur.
Artur Fisher on November 12, 2014 18:02
Hi, Christian! I have sent You the shipping notification on 21st of July, didn’t You receive it? Overseas deliveries can take up to three weeks, so You should expect the package between 5th – 12th of August.
Yves on November 12, 2014 18:02
Just received two more sets, no time to test yet, but will do soon. To bad one of the popcaps has almost deteriorated. But then that’s what you can expect from one of those nostalgic offers… let’s hope the diaphragm isn’t out too…
Christian on November 12, 2014 18:02
Hey Artur, I did not receive a shipping notification on July 21st. Are you sure you sent it to removed ?
If not could you resend it please?
Thanks!
Artur on November 12, 2014 18:02
Hi, Yves! Diaphragm should be well, as I checked every single unit for performance before shipping. Sorry about windscreen, indeed I didn’t pay attention to them, just checked the microphones themselves.
Artur on November 12, 2014 18:02
Hi, Christian! I send replies to the same addresses as noted in PayPal notifications. Anyway, now You know the situation. Cheers! Artur.
Yves on November 12, 2014 18:02
Arthur,
don’t worry about it… I hardly use any windscreens on dynamic microphones, the mics look perfect! It’s a peace of history you buy, not the best microphone in your kit!
Michael on November 12, 2014 18:02
Just received mine, works great—exactly the sound I wanted. Like Yves’ the pop cap has pretty much deteriorated into small black flecks all over the inside of the case, but I never use them anyways. Many thanks!
phil liu on November 12, 2014 18:02
hi there! i got mine today, and tested it on my studer. works fine, interesting sounding, gonna take it to gigs next month, maybe try it on snare or guitars. anyway, it’s fine, also the windscreen is all decayed in long time i guess, it has been 20 years old at least. it’s ok for me, sn and egt seems don’t need that. thanks, well communicated and fast airmailing. very good.
best
phil
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