How to Build a Boutique Passive DI June 29, 2012 19:12 31 Comments
Note: Full kits for our our passive DI project, the FE2, are now available in the store.
If you can solder one component to a couple of jacks, you can make the best passive DI money can buy. That's no exaggeration--at it's core, every passive DI is just a transformer, and some of the best winders in the world, Cinemag, Sowter, Lundahl and Jensen make transformers designed specifically for direct box applications.
Passive DI Basics
Let's start from the top: a DI, or "direct inject" or "direct box," is a device that allows one to plug an instrument output directly into a microphone preamp. A DI achieves this by doing two conversions: 1) from high impedance (Hi-Z) to low and 2) from unbalanced to balanced. Electronically, there are two ways (at least) to perform these conversions: 1) actively, with buffering/balancing circuitry or 2) passively, with an audio transformer. Active DIs are fairly complex, require power (usually in the form of +48Vdc "phantom power"), and are ideally suited for hi-Z signals such as those from passive guitar and bass pickups. Passive DIs are extremely simple, require no power, and are best suited for lo-Z inputs such as synthesizers and active pickups (however, they have been known to sound great on passive sources such as the "Billy Jean" bass line).
Why Go Passive?
From a technical perspective, active DIs outperform passive DIs in almost every respect, and at a fraction of the price. The performance of passive DIs is restricted by an inherent property of transformers: the closer you bring the input and output impedances to their ideal values, the more signal you loose. An active buffer, on the other hand, can present an exceptionally high input and low output impedance while maintaining unity gain. Yet here I am telling you how to build a passive DI. Pourquoi? They sound good. A good passive DI will thicken and smooth the sound in a way that a transformerless, active DI will not.
The DI Transformer
In terms of sound quality, the only component that matters in your passive DI is the transformer. And, unlike a reamping box where a budget transformer performs admirably, a direct box is a sensitive application that demands a high-quality transformer. There are a couple of essential features that take quality DI transformers out of the "budget" range: 1) mu-metal case for magnetic shielding and 2) Faraday shields to isolate each winding.
Building Your Direct Box
Gathering Components
Nothing exotic here. Transformers must be custom ordered from the manufacturers and the remaining components are standard at Mouser, Digikey, Farnell, etc. Depending on the transformer you choose, the entire BOM will cost you between $75 and $115 plus shipping from at least two locations.
Qty | Value | Note | Approx. Price |
---|---|---|---|
2 | 1/4″ TRS jack | Solder terminals | $1 |
1 | SPST (or SPDT) Toggle Switch | Solder terminals | $1.25 |
1 | DI Transformer | Cinemag CM-DBX, Lundahl 1935, Jensen JT-DB, Sowter 4243 | $55 - $85 |
1 | Male XLR jack | Solder cup terminals | $3 |
1 | Aluminum chassis | Hammond 1590N1 | $11.50 |
1 | Ring Terminal | $.25 |
Assembly
Wiring
The schematic and wiring instructions below are based on the color coding of the Cinemag CM-DBX. However, the circuit itself applies to any DI transformer with a mu-metal case and shield wires for each winding. This includes offerings from Jensen, Sowter, and Lundahl.
- Begin by twisting the brown and red transformer leads together. (Making differential wires a twisted pair can reduce electro-magnetic interference.)
- Mount the transformer and jacks on the case. Stretch each transformer lead to where it will be soldered and trim the leads, leaving an extra 1/2" for wiggle room. Strip and tin the leads.
- Trim, strip, and tin two lengths of heavy-gauge wire for the ground connection. We'll call this wire "Green".
- Solder the leads to the jacks in the following configuration:
- Yellow -> Input Tip
- Orange, White, Black -> Input Sleeve
- Gray, Green -> XLR 1
- Red -> XLR 2
- Brown -> XLR 3
- Solder the green wire from XLR 1 to the center pin of the ground switch. Solder one end of the remaining length of green wire to one of the other pins of the ground switch, and the other end to the ring terminal.
- Fasten the ring terminal to the case to secure the chassis ground connection.
Looking for a full kit? We now offer the FE2 Passive DI kit in our store.
Comments
somebody on February 1, 2015 22:09
Would you please stop with the “direct inject” nonsense. This is a plague that has taken over. The acronym DI stands for direct input. The world did not used to be made of irrelevant hype. Please correct your site.
Pavan on January 17, 2015 11:09
Hello! I am very interested in purchasing a passive DI kit! Any idea when they will be availiable? :)
Dave on November 12, 2014 18:02
The audio samples are not working for me.
Drannon on November 12, 2014 18:02
The audio examples aren’t working. Also, I’d love to get a kit but I won’t have the money for a few days… Can we work something out possibly?!?
Peterson Goodwyn on November 12, 2014 18:02
Thanks for the heads up, in my rush to post them I exported them at 24-bit.
Peterson Goodwyn on November 12, 2014 18:02
No worries! Taking pre-orders until the end of July.
Roko on November 12, 2014 18:02
Excited, need a good DI box! Will order One
Kevin Cameron on November 12, 2014 18:02
Any shots of the inside of an assembled unit?
Peterson Goodwyn on November 12, 2014 18:02
Pay no attention to the man behind the curtain!
Just kidding, I’ll post one this week.
Eliani on November 12, 2014 18:02
An leads on where to get those cinemag transformers, I can’t seem to find a dealer in Europe.
Peterson Goodwyn on November 12, 2014 18:02
Hi Eliani, those are available only directly from Cinemag in California. In Europe, you might try Lundahl or Sowter. Also, I will have stock of the Cinemags very soon.
RMKA on November 12, 2014 18:02
I have several Ampex 4580200-01 bridging transformers. My skills are limited to soldering. I’ve got some cool old boxes that i could install 1 or a pair or maybe even 4 of these trannys into. i’d like them to be passive with a 1/4 inch input to 1/4 &/or XLR output. My intent is to pass signal out from my MOTU audio interface into the trannys, out of the trannys > into an analog console for some final sweetening before going to 2 track mixdown. Any suggestions as to how to do this ?. Are there any simple plans showing which of the 8 posts on the Ampex trannys I would use & what the wiring scheme is ?
Peterson Goodwyn on November 12, 2014 18:02
Sounds cool! I just found this on the on the Uneeda Audio website (http://www.uneeda-audio.com/ampex/ampex_transformers.pdf) “On both transformers, pins 4 and 8 are the primary signal input, pins 3 and 2 are the output and pin 1 is the case
shield.”
So, you would connect tip and pin of the 1/4" input to pins 4 & 8, and pins 3 & 2 to the same of the output jack. Pin 1 (the shield) should be connected to the case, which in turn should be connected to the sleeve pins of your I/O jacks.
Best of luck!
RMKA on November 12, 2014 18:02
Hey there. That helped a lot. I think I might be getting somewhere !
But it also raised a few questions. Keeping in mind, I can solder….
Q # 1: In referring to jacks you said ‘pin’. Is that the sleeve of the I/O jack ?.
Q # 2: Are you referring to unbalanced 1/4 plugs & unbalanced jacks to make my connections?
You also said “Pin 1 (the shield from the transformer) should be connected to the case
which in turn should be connected to the sleeve pins of your I/O jacks”.
Q # 3: Is ‘the case’ the housing I intend to use for this project ?
Q # 4: So what would be the correct way to install the jacks to ensure grounding of the jacks… metal washers between jacks and case… ie, metal to metal ?
By the way, I guess I should be looking for some octal sockets, preferably with some wire hanging, right ? I appreciate the help very much !
Peterson Goodwyn on November 12, 2014 18:02
1) By ‘pins’ I mean the solder lugs of the jack that are connected to the respective parts of the 1/4" plug when plugged in. So the “Tip” pin connects to the Tip of the plug, “Ring” goes to the middle ring, etc.
2) Balanced in and balanced out. You can use 1/4" or XLR.
3) Yup, the metal case.
4) The best way would be to get three ring terminals. Solder each to one end of a piece of hookup wire. Then solder the other end to pin 1 (for XLR) or sleeve (for 1/4") of the jacks and to pin 1 of the transformer. Then fasten these to the case with a single screw and nut. This is called a “star ground.”
Jeroen Wolff on November 12, 2014 18:02
Thanks for pointing me to other transformers here in Europe. But which type to take than?
The line input version or or mic input…there are a lot to choose from…
for example: http://www.lundahl.se/sidor/line_in.html#
Regards,
Jeroen
Peterson Goodwyn on November 12, 2014 18:02
Hi Jeroen, for Lundahl, check out the LL1935: http://www.lundahl.se/pdf/1935.pdf and LL1530: http://www.lundahl.se/pdf/1530.pdf. Both seemed to be designed for direct boxes.
Roko on November 12, 2014 18:02
I had assembled this box and ran some tests playing the guitar and bass through it.
The other day I hooked up two boxes in parallel. One was Radial PRO DI and the other was Fe.
I have recorded both passes of Electric guitar and Bass. When I done A/B between those two, listening on my superb K&H o300’s speakers, I couldn’t tell a slighest difference. It’s as the boxes sounded identical!
Peterson Goodwyn on November 12, 2014 18:02
Hi Roko, that’s really interesting thanks for posting your results! I wouldn’t be surprised if the transformer in the ProDI was very similar to the Cinemag CM-DBX. Can you tell if the Radial transformer is mu-metal shielded?
Roko on November 12, 2014 18:02
I don’t know anything in Radial PRO DI transformer. What I supposedly heard is that the transformer in PRO DI is Radial custom made (China). Their website doesn’t have any info.
The transformer in their more expensive box, Radial JDI is Jensen.
Sam on November 12, 2014 18:02
Hi there. I’m just about to jump into building one of these from scratch and I’ve got a couple of questions about the wiring of the jacks..
1. Why do you stipulate TRS jacks? Considering the input will be most likely coming from an unbalanced source like a guitar shouldn’t these be TS/unbalanced jacks? I guess you’re not wiring up the ‘ring’ in the instructions above, so maybe it really doesn’t matter and TS is fine.. just wanted to check because in a previous comment you said “balanced in and balanced out”..
2. Also, is wiring up the thru jack as simple as taking extra hookup wire from the Tip and Sleeve pins of the input jack and soldering them to the Tip and Sleeve of the thru jack? That seems kinda obvious, but I was wondering if this would ‘load’ the input and adversely change the sound coming out of the XLR? Wouldn’t the impedance of what is plugged into the thru jack affect the whole circuit? Or does the transformer stop that from having any effect on the output XLR?…
Thanks for your time Peterson. This website is a revelation!
Peterson Goodwyn on November 12, 2014 18:02
Hi Sam, great questions!
1) Yep TS is fine. I believe when I wrohttp://www.diyrecordingequipment.com/wp-admin/profile.phpte this I happened to have a bunch of TRS jacks :)
2) Very perceptive question. Yes, anything plugged into the Thru jack will be “seen” by the guitar in parallel with the transformer’s input impedance. However, since both the transformer and any guitar amp/pedal you attach to the Thru jack are bound to be high-Z inputs, there will be no appreciable effect on the impedance seen by the guitar.
Here’s an example with typical real-world numbers:
-Mic preamp input Z: 2k
-Resulting transformer input Z: 288k (2k * 12^2) (12:1 transformer)
-Thru jack Z: 1M (pedal or amp input)
-Total Z seen by guitar: 223.6k ((228,000*1,000,000)/(288,000+1,000,000)
Mario on November 12, 2014 18:02
Hi Goodwyn, are the audio samples working?
Thanks!
Mike on November 12, 2014 18:02
When will you have your Di box kits in stock?
Steve on November 12, 2014 18:02
Hey RMKA, did you ever build this? I have some of those same Ampex bridging transformers and was wondering how they sound, because I am considering uses for them.
jack on November 12, 2014 18:02
Hi
What kind of transformer would give me the best saturation/ tone, im guessing its something vintage and very expensive…
What I guess im asking is: whats the hoily grail of transformers?
Peterson Goodwyn on November 12, 2014 18:02
Ha, great question! I chose the Cinemag specifically for the nice, subtle saturation in imparts. Many people talk about the UTC transformer that Bruce Swedien used in his DIY DI box, but I haven’t gotten my hands on one of those.
T-Y Chia on November 12, 2014 18:02
Hi,
I was researching for D.I boxes and chanced upon your site; it is really interesting.
Do you have::
1. D.I box for stereo RCA in;
2. D.I box for stereo setup.
simon on November 12, 2014 18:02
hi, i a get a LOT of hum when i try and record with this. the ground lift switch makes a bit of difference but its still unusable. i have checked all the connections again and it all seems to be correct. i am running in into mic input on the back of my allen heath console. any ideas what could be the issue here?
Jeroen Wolff on November 12, 2014 18:02
Hi Peterson, thanks…i’ve bought the LL1935. Now i’m ready to build it, but i can choose a ratio of 1:5 of 1:10. Which one should i use for a bass guitar?
I’ve bought two LL1935’s so i can build both, but when to choose one ratio over the other?
Jeroen+Wolff on November 12, 2014 18:02
Sorry, 5:1 and 10:1
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